Low budget filmmaking is a process that can at times be arduous, but the pay-off is one of the most creative forms of fulfillment that can be achieved by a modern day storyteller. It is with this concept that we will cover some of the most basic steps of low budget filmmaking. Keeping these rules in mind will prove to be a savvy move.
Spend sometime and get to know your camera and its features before your shoot. Practice shooting simplistic scenarios. Familiarize yourself with the instruction manual, take nothing for granted. This could save you hours of critical time during low budget filmmaking projects.
Go easy on the zoom. A big point of confusion for many digital filmmakers is to use all the functions of their digital camera. Going overboard with the zoom switch and digital filters may look cool, but it will definitely give your video and amateur appearance. If you view most any film, you will see there are not many zooms to be found. Many low budget filmmaking productions are compromised by auto focus.
Plan on spending more time than you think. Another error a lot of low budget filmmaking projects have in common is bad time organization. When you are making a picture, things frequently take much more time than you thought. Always try to be realistic when making your schedule. Being unrealistic will make shoots feel even longer.
Do not steal music for your soundtrack. You must acquire the rights to use any song or musical piece. Keep in mind that the price may be prohibitive. Always try to use royalty free tracks or song that you have rights to. Many low budget filmmaking directors will use a trendy song during their project, with the concept of replacing it later. This is commonly a bad idea because during distribution, you will jump through hoops to find audio to replace the copyrighted material.
Prepare to compromise. When you are performing low budget filmmaking, it is important to realize that not everything is going to be completely finished. You may have a particular final concept, but if you’re not ready to compromise, it is unlikely that you will were being able to complete the project. Use your creativity to come up with acceptable compromises. Your creativity that got you here, and it can get you to the finish line.
Do not always plan to fix it in editing. A stereotypical Hollywood remark is to is to fix it in post production . Do not go that route. Do the low budget filmmaking steps correctly, and the truly complex and hellish issues of fixing footage during the edit wont have to be dealt with. This will equal hours saved.
When it comes to filmmaking or even making your project for web video [http://easywebvideo.net/web-video.html], just do it! The biggest mistake, and probably the most common one, is simply not doing anything at all. It is a widespread move in low budget filmmaking, as well as bigger budget filmmaking, to put off the project due to any of a number of factors. Many think that thousands of dollars and much training are required. Due to high end digital technology with very low costs, thankfully this is no longer true.
For more info on filmmaking success and how to use web video to promote your projects, check out the ultimate software package at [http://www.easywebvideo.net]
About The Author:
Rob has been a producer, cinematographer, and director since 1987. His media facility produces diverse television and media projects, from feature films to national ad campaigns, production for national TV networks, TV shows and more. His web company, tvscreen.com, creates & markets select web & video ventures.
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As early as the Apocalypse Now movie in 1979 when Francis Ford Coppola and sound designer Walter Murch pioneered a quadraphonic sound system for the film tour, Coppola has made sound and audio technology an important part of filmmaking, including building a dedicated mixing facility, American Zoetrope. In 2010, under the direction of Coppola, Zoetrope was turned into one of the first post-production facilities to install a Meyer Sound EXP cinema loudspeaker system on its rerecording stage and has since upgraded the other rooms to EXP. Tetro and Twixt are two of his movies that were mixed on an EXP system. In this video, Coppola chats about the evolving role of sound in his storytelling and his sound facility in Napa. Learn about American Zoetrope: www.zoetrope.com Learn about Meyer Sound EXP: www.meyersound.com www.meyersound.com
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