and what doesn’t. Gaffing seems to have led to shooting for many of music videos hot new DP’s, so you might also consider working on lighting crews any chance you might get. Telecine is also a huge part of the image making process in music videos, and I always recommend that aspiring cinematographers do what ever they can to observe in some important telecine sessions so they can learn or at least feel comfortable with the workings of this tool.
Wahi: What are the advantages of shooting super 35 for telecine.
Rajeev Jain: I guess it’s my job to keep repeating this over and over again until it becomes an industry standard as put forth by Vittorio Storaro in his Univisium proposal. Let’s try this analogy. If you were making a mosaic of a given size, in this case the size of your television screen, using 1000 tiles, wouldn’t it look